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Sandra Suubi

Kunlaboro

As an extension of the participatory project, Include Us In, Kunlaboro uses participatory methodologies to explore the impact of Covid on countries in the Global South, led by Dr Meg Peterson and Dr Matias Muñoz Hernandez. The research aimed to democratise the research process, giving a voice to both cultural leaders and artists from three case study countries- Uganda, Morocco and Chile. In order to do this, the photovoice methodology was employed to create a fusion of images and words to deepen understanding of an issue or concern and explain their own experiences though critical reflection and dialogue. In this case, an arts-based approach was also a 'language' that each artist spoke, particularly when language was a barrier to communication. 


The study began by working with cultural leaders from Uganda, Chile and Morocco who then acted as intermediaries to engage 2 artists in each country- one visual artist and one musician. With research collected in May 2021 where much of the world was still under restrictions from the pandemic, artists were then given the provocation to use photographs to symbolically represent their lives before the pandemic, during the pandemic, and their vision for their lives when the pandemic was 'over'. There was a focus group also held with the 3 cultural leaders to give more of a big picture perspective of the cultural landscape in each country. 


The images from the artists are as follows in order of BEFORE, DURING and POST- PANDEMIC. The images are accompanied by descriptions in their own words which describes their decisions behind the images and what they mean to them. 

 

Photo credit: Sandra Suubi

Sandra Suubi -(Uganda - MUSICIAN, PERFORMER, VISUAL ARTIST

BEFORE PANDEMIC

My life before the pandemic was exciting, liberating, a place I could play, try   things, experiment, a place I could freely express myself even for the moment. It felt like I had a plan and I was well on my way to it. I knew that   there was a lot I did not know but I knew that if I kept us my efforts they   would compound sooner than I knew it because I had seen breakthroughs happen for so many of my friends. There were things that brought lots of questions but I knew that I wou

1/4

KHALIL Mounji - MOROCCO - MUSICIAN)

BEFORE PANDEMIC

This was my last festival before the pandemic, an unforgettable concert in jamaa el fnaa in Marrakech. Represent the freedom of mobility and meeting new cultures.

1/3

Gérard Bertin - CHILE - MUSICIAN)

BEFORE PANDEMIC

Touring, performing. Super productive.    

1/3

Pamela Aobo Enyonu - UGANDA - VISUAL ARTIST)

BEFORE PANDEMIC

This  was my last residency in Tanzania before the borders closed. My life prior   had been filled with moments such as these as I moved from one residency to another.    

1/4

Marco Avilez - CHILE - VISUAL ARTIST

BEFORE PANDEMIC

This image is from the first "Ciudad de Tar" show, my new art project (LiveA/V). It was the beginning of something I had been working on for a long time and it had me very excited. The photo is of an artist friend who worked on new projects this year.    

1/5

Adil Kourkouni - MOROCCO - VISUAL ARTIST)

BEFORE PANDEMIC

It illustrates my struggle with physical and mental health. I felt this was like a premonition of what was about to happen. Looking back I realised it was so obvious something like covid was going to happen.

1/3

key findings

This was a pilot study so the findings were based on assumptions from a limited sample size. However, the following outlines key themes emerging from the project:

  

Online/digital engagement

  • Could increase the Global North/Global South divide, exacerbating inequality and exploitation Highlighted the digital divide many countries and communities face 
  • Online streaming can provide more access, opportunities and exposure  
  • Potential for innovation within new digital and in-person ‘hybrid models’ 


Sector impact

  • ‘Spectrum’ of impact, depended on the people and genre in terms of impact
  • Many sector impacts coincide with Global North, severe economic impact 
  • No government support- reskilling or applying value to other sectors 


Economic and social impact

  • ‘Survival mode’ impacted resilience 
  • Increased politicisation, social uprising 
  • Improved local and regional development 
  • Uncovering innovation takes research  

recommendations

  1. Explore this area as a much larger study to include countries in the Global North and use wider range of artists with many more artists and countries
  2. Engage more in developing the method of photography as a research tool, particularly where language barriers are an issue
  3. Further research and investment to uncover innovative methodologies of community engagement and creative practices
  4. Strengthening policies encouraging cultural entrepreneurship in these regions
  5. Invest in vocational and digital training
  6. Rethinking the artist's status as a new international policy agendas and rebalancing trade flows, making a case for preferential treatment in culture. 


Participating Cultural Leaders

Rasheeda Nalumoso- British Council

Saad Eddine Said- Terre Sans Frontiere

Rodrigo Jarque- LeRock


Participating Artists

Pamela Aobo Enyonu   

Adil Kourkouni   

N. Sandra Suubi   

Gérard Bertin   

Marco Avilez

Khalil Mounji


This first phase of the project took place in May 2021 and was initially funded by King's College London. The second phase will take place in September 2023. 

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